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In the first story, Beth (Stewart) is an introverted paralegal whose cash-strapped existence requires her to teach a night-school course in a small town located a perilous car ride away from where she lives. In the second, Laura (Dern) is an exasperated attorney legally shackled to a man whose workplace injury has sparked a streak of violent outbursts. In the third, Gina (the always-amazing Williams) is a woman with an intense desire to build a new home in a remote setting, while struggling for domestic tranquility with her husband and daughter. None of the stories offer much physical exposition and, unless you to lean in and pay closer attention to detail, you'll be wondering for quite some time what each of the stories has in common with the others. Of the three stories, Stewart's is strongest, primarily because of her performance. I have truly struggled with this young lady's acting chops for ชุดคู่รัก ไซส์ใหญ่ a good chunk of her early career (my eyes roll at the thought of the Twilight saga); but, time and again over the past few years, Stewart has floored me with her technique that's equal parts timidity and sincerity (examples: Clouds of Sils Maria, Still Alice, and the soon-to-be-released Personal Shopper and Billy Lynn's Long Halftime Walk. Trust me, you'll love them both). In Certain Women, Reichardt has again captured what I would call the "somethingness" of the Western U.S. In her previous films (often set in Oregon), Reichardt has defined her characters with physical or psychological solitude. Their lives are muted but their few, halting words and tentative actions beg for significance or relevance.
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